Brand new, not even in stores yet. Order exclusively through Ringo Records in time for the holidays! Safe and secure through paypal.
Recorded in only four days at the legendary Sun Studio in Memphis, TN - this is Nancy's best record to date. Featuring her new guitar players that include Continental Drifter's Robert Maché as well as Jake Kelly (formerly with Gary Allan). Keith Sykes co-produced along with Nancy, and also guest appears on guitar and background vocals. Other guest artists include Reba Russell, Phoebe Lewis (daughter of Jerry Lee), Robert Nighthawk Tooms, Jimmy Davis and many more celebrated Memphis musicians. Rob McNurlin also appears on a duet with Nancy. 13 tracks include a covers of Wanda Jackson's "Let's Have A Party" and Keith Sykes' "B.I.G.T.I.M.E." Years ago when Nightflying Magazine said of Nancy that she was "as country as Cash, as rockin as Carl and bygod as bold as Elvis" they must have been looking into the 
future, because this record is all that!
NEW FROM RINGO RECORDS, LAST TRAIN TO MEMPHIS AND RUSTED SUN FILMS
Nancy Apple's Song Slinger Showdown - Part one
Featuring one hour of performance and interviews from Nancy Apple, Phil Lee and Jake Kelly. Shot in Memphis, Tennessee at Kudzu's, you feel like you are part of the show only without smelling like cigarettes. Bring your own beer and belly up to an evening of Song Slinging you are sure to watch and enjoy for years to come.
On sale now from Ringo Records - $20 (plus $3 shipping cost USA
$5
shipping cost overseas)
Nancy Apple Rob McNurlin
Listen to Nancy and Rob on the radio with
HOSS the BOSS in Texas
Nancy and Rob Cathead Buscuits
featured on closing credits on Last Train to Memphis
River Road or Rail, 2005
The press has called Nancy Apple Memphis' reigning Queen of Country and Princess of Twang. One critic went as far to say she was "As country as Cash, as rockin as Carl, and bygod as bold as Elvis." Amazon.com said about Rob: "The old is new in his capable hands, and dead voices rise to pass their tales on to the living."
In the same spirit as Conway and Loretta, Nancy and Rob have conjured up a potent mix of genuine country and western music with enough twang to bounce you from Tennessee to Bakersfield. Two bonus tracks are destine to become Christmas classics.
Nancy Apple
Shoulda Lied About That, 2003
"Lighthearted and twangy as heck, Nancy Apple (aka The Cadillac Cowgirl) presents a collection of good-natured country that's charming and fun. Like a timeless honky-tonk act whose true era seems intangible, yet anchored to the present here and there with contemporary pop flourishes, Apple and company lay down an honest and live sound. " -- Miles of Music
Nancy Apple
Outside the Lines, 2001
"Beginning with the rockin' "Slide Me Some Sugar," Nancy and her band roll through 14 songs alternating between the soulful "Outside the Lines," rockabilly delights such as "Why'd You Get So Gone," "Bears in Them Woods, "Draw the Line" and "Truck Driver's Woman" and bluesgems "Small Town Blues" and "I'm Here to Collect.” For a little international flavor, there is aJapanesetitled song that is guaranteed to put a smile on your face. " -- Guitar Nation
Nancy Apple
High on the Hog, 1996
"A mix of rockabilly, twang, blues rock, pop and straight-ahead country makes for one strong album for the Memphis-based Apple. The songwriting and production are top notch throughout, maintaining a lively feel. Apple kicks it into gear with the title track, mixing themes of cars and cowboys in a bluesy, rollling number with in-your-face vocals. She continues the idea of a woman having fun on "Steppin' Out," spare sounding with the emphasis on the vocals. " -- Jeff Remz
Nancy Apple
Tijuana Tapes, 1994
Songs from the early 90's, originally intended for demos only, started showing up as bootlegs so Nancy had a few hundred dubbed and sold them at gigs. Most of the songs were re-recorded and released on Nancy’s High On The Hog CD, and even a couple made it to Outside The Lines. Tijuana Tapes also includes three tracks never re-recorded. There is something charming and innocent about these self-produced demos. It still sounds pretty darn good still today. Nancy plays drums and guitar on most of these tracks. Bootlegged one at a time just for you!
Delta Joe Sanders
Joe Sander's heart is shaped like Mississippi. Through it runs a Big Blue River spawning tributaries and capillaries like snakes, gentle but dangerous - above which hands kudzu, wisteria and other strange vegetation unnameable except by some half-mad, half-genius horticulturist. His tunes are rare Delta Thundersong birds (endangered and exotic) rising from the mud Byhalian and Greenwooded, strong meat for most of us who lift our beaks for the plastic manna in squared cellophane. Some of his brilliance pops up unnoticed - queer mushrooms grafted amongst our quotidian grapes, teaching our souls to say "more" while our understanding reels backward. Joe offers no gratuitous sanctuary. Listening, one must braid one's own thread into rope and knead one's own bread into baked buckets - then dip into th eliving water of Joe's Big Blue River. Grace and Peace - John Kilzer
Gann Brewer has been traveling the world since he graduated from college, playing tunes by John Prine, Woody Guthrie and sharing the songs he learned from Ramblin’ Jack records on every street corner he could. He has paid some serious “Buskin’” dues on the sidewalks and coffeeshops of Israel, New Zealand, Vietnam, Ireland, Holland and more, as well as the bungalows and pirate bars of the Virgin Islands and Thailand. In 2007 he met Nancy Apple in Memphis and recorded the songs that have become Gann’s Ringo Records debut. He lives the life of a troubadour, with a vocal style that reminds fans of early Todd Snider or a sober Townes Van Zandt, but yet uniquely his own.
Gann Brewer's MySpace page
Website
Sandy Carroll
Delta Techno, 2006
Blues woman SANDY CARROLL shines on her first collaboration with her Grammy Award winning husband and producer JIM GAINES. When the multitalented pair decided to make this record, the plan was to do something different. Instead, they are introducing audiences to a truly original new musical style — Delta Techno. Imagine if Sade went to Al Green's church with Bonnie Raitt, then the two headed over to Raifords near Beale Street that night to hand out with Little Feat. Those who "get it" will love it, and those who don't will love it too.
Jay Ruffin
Skeleton Key, 2005
On this release, Ruffin’s talents as a front man and songwriter are showcased, but don’t toss this southern boy in the back of the truck with the current crop of singer/songwriters — this ain’t folk music, and it ain’t country either. Skeleton Key cracks open new horizons for Ruffin. Experimenting with tones, instruments and players, the result is as rockin’ as the Ramones, as thought-provoking as Steve Earle and as jangley as the Continental Drifters, without compromising Ruffin’s own style or falling into pastiche.
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This website is in no way related to Richard Starkey or his previous record company Ring-O Records